In the dead of night, outside the backdoor of an old warehouse in a disused industrial park on the south side of Seattle, two figures keep watch.
Both men wear dark, military style clothing. The older of these two henchmen, mid-40s, sports a graying mustache and ponytail. His tall, lanky frame is more athletic than it appears. He holds a sawed-off double-barreled shotgun under one arm and leans against the warehouse wall under a broken lamp.
The younger henchman, early-20s, is clean shaven, with a bloody dab of tissue just under his chin. Facial hair would go a long way to hardening his baby-face features, but the spotty peach-fuzz he grows doesn’t help. He is shorter than average, but not short. His shoulders are broad and his limbs muscular. The handle of a small revolver sticks out of his coat pocket and he keeps touching it to reassure himself that it hasn’t fallen out. His over-sized black, combat boots squeak as he strolls back and forth under a working lamp on the other side of the door from the older man. After a couple of failed attempts, the young man finally manages to light his cigarette.
The old henchman shakes his head with a cluck of his tongue. Straightening up, he clears his throat.
The younger man looks around and points to himself quizzically.
The older man rolls his eyes and sighs heavily.
“Yeah, you. Who else would I be talking to, man?” The older man raises a hand to cut off the imminent answer to his rhetorical question. “Listen, Ernie, I know you’re new and . . .”
“It’s Frankie. Frank, actually.”
“Really, man?” the older man asks with incredulity.
“Well . . . yeah,” Frankie says with equal incredulity. “Why wouldn’t I be . . .”
“It doesn’t matter, man. Just put that out and step away from under the light. No need to make things easier for anyone out there.”
Frankie stubs out the cigarette and steps out from under the working lamp. Failing to think of anything better to do, Frankie takes the revolver out of his pocket and opens the cylinder.
“Hey, Al!” Frankie exclaims at his bored partner in crime. “This gun they gave me is only loaded with three bullets.”
“So? They only gave me two for my gun.”
“But you’ve got a double-barrel, dude. It only holds two. Mine’s a revolver and it’s called a ‘six-shooter’. . .”
“Why can’t you be more of a ‘the gun’s half-full’ kinda guy and quit your bitching?”
“No,” Frankie stammers, “you see, revolvers are supposed to have . . .”
“Is there a question coming,” Al interrupts, “or is this just an impromptu firearms lecture from the new guy?”
Frankie snaps the revolver shut and puts it back in his coat pocket before stepping closer to Al.
Pointing a thumb over his shoulder at the warehouse, Frankie asks, “How does the Big Boss expect just the two of us to defend the warehouse with just five shots between us?”
“That’s not our job, man,” Al says matter-of-factly.
“Then what is our job, dude?”
“To die,” Al says to Frankie’s surprise before adding, “. . . loudly.”
“But how could the Big Boss put me out here to die?” Frankie says more to the Big Boss behind the warehouse wall than to Al standing beside him. “Dude, the Big Boss said I was, and I quote, “invaluable.””
“I’ll let ya in on a little secret,” Al says patting the side of Frankie’s face. “The only reason the Big Boss has a dictionary on his desk is so he can hit people with it. He thinks invaluable means not-valuable.”
“So,” Frankie says with furrowed brow, “the only reason we’re out here . . . is to die.”
“Loudly.” Al corrects him. “Don’t forget that part. That’s kinda the whole damn point, man.”
“But what’s the point in that?” Frankie asks, his spirits clearly crushed.
“The point is to make enough noise to warn the Big Boss so he can call in the real defense,” Al says, “while he escapes, of course.”
Frankie strides several squeaky paces away with his hands on his head before returning to Al.
“Then why not just use guard dogs or an alarm?” Frankie says with sudden inspiration.
“We’re cheaper and easier to replace.”
“This is fucked up!” Frankie says, visibly shaken.
“No,” Al corrects him. “This is what you get for being a fuck up.”
“But that can’t be right,” Frankie says, seeing a possible life-saving loophole.
“How you figure that, smart-boy?” Al asks with a tilt of his head.
Frankie puts both his hands on Al’s shoulders, reels at the look he gets from Al, and quickly withdraws his hands.
“You just hired me last week,” Frankie says with a cracking voice. “This is my first assignment, dude. I haven’t had time to fuck up!”
“There’s the presumption of a fuck up,” Al explains.
“So the Big Boss figures I’m bound to fuck up eventually . . .”
“. . . and he’s left you out here to die . . .”
“. . . loudly.” Frankie adds.
“Yep,” Al says almost proudly of his young pupil, “to die loudly before you fuck up.”
“A preventative death,” Frankie says.
“A loud, preventative death.”
“Yeah . . . a loud, preventative death for a fuck up to be fucked up later.”
“Now you got it, man,” Al says, smiling despite himself.
“Loud and clear!” Frankie says, saluting and clicking his heels together.
“Don’t get cute, funny-boy.”
“And what about you?” Frankie asks.
“Of all the things I’ve been accused of over the years, ‘cute’ ain’t one of ‘em.” Al says sternly.
“No, old-timer,” Frankie says, surprisingly boldly. “What was your fuck up? Why are you here?”
“Hiring you.”
Headlights appear at one end of the street. Revving engines and screeching tires drown out any further discussion.
Al fires both barrels simultaneously towards the headlights, drops the shotgun, and runs the other way.
“Make some noise and run, man!” he shouts at the flat-footed Frankie.
Frankie tries to pull the revolver out of his pocket, but it snags on his coat.
The cars screech to a stop. Doors open and figures pour out of the vehicles, firing at Frankie.
Bullets zip past the young henchman, grazing his leg. Frankie manages to return two shots through his coat pocket as he limps after Al who is already long gone.